Bring back the Old Time vamps!
No
sparkles…no sensitivity…no moaning and groaning (except in ecstasy) about his
immortality…
Vampires
should be more like Dracula, Count Ruthven and Sir Francis Varney, the Big
Three, the original literary vampires, all “mad, bad, and dangerous to
know.” To know them was to love them…and
meet a quick death thereafter.
Any who
followed after should follow their lead and march proudly down the corridors of
Time, loving every century of it.
If there
are rules, they should be the ones set down long ago by Bram Stoker:
*avoid
sunlight,
*no
garlic allowed,
*easy on
the crosses and holy water,
*keep
plenty of native soil around,
*bring
on the virgins!
When I
wrote, Death in the Blood, I wanted to make it different, not only by
reverting to the earlier portrait of the vampire, but by following through on
the fact that the Undead are immortal. I mean…why begin it in the past and end it in the present? Most vampire tales stop when
they get to the present even if the vampires continue to exist. Why?
If someone’s living forever, then prove it by looking ahead. Immortal means just that…it goes on forever.
As Buzz
Lightyear said, “To Infinity and Beyond!”
At the
moment, I can think of only one other writer who’s taken his vampires into the
future and I imagine you know who I mean, Cynthia…a certain Mike Arsuaga with
his Progeny
of Evolution series. Before I’m deluged with emails stating, “I did that, too!” let me say: I imagine there may be others, but I’m not
aware of them.
So… As I
later did with The Night Man Cometh, I started the story in the past and took
it into the future.
Christopher
Landless is my latest Undead creation and he follows the lead set by Damien
laCroix, Vlad Chemare, the Andriescus, and Karel Novotny. He’s a thief and an opportunist. He just makes
the mistake of robbing the wrong person. Instead of a handful of jewelry, he
gets immortality instead. Oh, Kit has a bit more conscience than his nosferatu brethren. He still remembers
what it was to be human, but when it gets right down to the nitty and the
gritty, he fights to save those like himself and not humans. In spite of that,
I believe I’ve managed to make him a “hero” readers will like.
Kit’s
story stretches from 1794 to the year 2580. For a while, Man and Vampire
managed to live side-by-side peacefully, then a terrible event occurs making
humans decide vampires are too dangerous to be allowed to go free. They’re
imprisoned in concentration camps, on islands surrounded by moats of blessed
water.
It was a
challenge to fall back on the expected way of containing and fighting vampires
while transforming them into futuristic forms. Staying true to the original
genre while updating it to near-science fiction was a definite test of
originality and writing skills. I believe I managed it adequately. At least I
hope I did.
BLURB:
WHAT IF...
...Mankind admitted vampires exist?
...Vampires followed Man into the stars, inhabiting every plant in the galaxy?
...They solved the "Vampire Problem" by putting the Undead in concentration camps?
What would happen if someone decided to destroy the imprisoned nosferatu?
Would the police investigate?
Should they?
Forced to assist Lieutenant Katherine Dalia in the case, vampire Christopher Landless fights desire and thirst to uncover a motive of long-lingering revenge as both vampire and mortal discover old crimes never go unpunished.
WHAT IF...
...Mankind admitted vampires exist?
...Vampires followed Man into the stars, inhabiting every plant in the galaxy?
...They solved the "Vampire Problem" by putting the Undead in concentration camps?
What would happen if someone decided to destroy the imprisoned nosferatu?
Would the police investigate?
Should they?
Forced to assist Lieutenant Katherine Dalia in the case, vampire Christopher Landless fights desire and thirst to uncover a motive of long-lingering revenge as both vampire and mortal discover old crimes never go unpunished.
Solid, blank, blackness.
Merciful God, I'm blind! He
needed to rub his eyes. His right hand… Something hampered the movement. What the Hell? He flexed his fingers,
thrust them out. They curled around a thick cylindrical shape. A bed post. His right wrist, as well as his left, was tied to a bed post. He tried to move his legs. They, too, had been bound.
By now, his eyes were becoming
accustomed to the dark. He could make
out a door. There was also the faint
frame of a window with moonlight filtering through an opening in heavy
curtains, large dark blocks that were furniture, the bed’s shadow-draped
canopy…and himself.
Naked.
What the devil’s going on? Naked and tied spread-eagle to a bed. In the dark. This has to be a dream, a nightmare. Aye, that’s it! And in a
little while, he’d awaken and find himself face down on one of the Coachman’s splinter-rough tables, having
once more swilled himself brainless on that bad ale the barkeep sold. With Nolly Jack and Ned and all the
others laughing at him.
He relaxed, waiting for the
dream to fade. Waiting to awaken.
It didn’t happen.
I’m awake. This is real. While
he was unconscious, someone had brought him to this place, stripped him, and
trussed him to the bed posts. Who did it?
Why?
In anger Kit jerked his right
hand, trying to wrench it free of the ropes, his struggles becoming more
furious as his bonds refused to yield. It
was only as he felt skin tear and sticky wetness trickle down one wrist that he
lay still again. He had to get free
but ripping his flesh apart wasn’t the way to do it.
“Hello? Is anyone there?” He
raised his head. When there was no
sound other than the dying echo of his own voice, he broke into movement again.
“Damn it, answer me!”
In fury, he broke into a flurry
of movement. That only served to rock the bed and abrade his wrists even more.
And then…
…the door opened. She came in. His intended victim.
The glow from the candle she
carried spread warmth upon her pale skin, shadowing her face with planes and
hollows. It highlighted the crimson night rail into a liquid softness, a dark
red river clinging to her breasts and flowing over hips and thighs. She glided rather than walked to the
bed, stopping to look down at Kit.
“So…my young thief, you’re
awake. How do you feel?” Her voice was low and beautiful now
that it wasn’t strident with fury.
“What kind of question is that?”
He didn’t try to hide his anger. “How do I feel? I feel like Hell!”
“I doubt that.” Her lips
quivered as if suppressing a smile. “Though you very well may before this night
is over.”
Death in the Blood is available from Class
Act Books at: http://classactbooks.com/index.php/cat-romance/cat-romance-paranormal/death-in-the-blood-detail.
Tony-Paul
can be found at:
MySpace:
http://www.myspace.com/505918625
Amazon
Author Page: http://www.amazon.com/-/e/B007BDHDZY
Twitter
@tpvissage
Thanks for sharing your vision of vampires with everyone today, Tony-Paul! Good luck with all your sales.
Cynthia Arsuaga
Sounds pretty good, Tony-Paul. I love the vamps who don't sparkle or moan and groan about their condition.
ReplyDeleteThere's only one sparkle in the entire book, Jane,and that's when Kit does a "Twilight" imitation!
ReplyDelete